"A detailed study of Roy Lichtenstein's drawings, which were meant to stand on their own—a collection of images of everyday objects, that [curator Isabelle Dervaux] calls 'the most original contribution of Pop Art to the history of drawing.' The stark black-and-whiteness of simple images like a steaming cup of coffee contrast with his colorful paintings. The essays cover a range of theoretical approaches to Lichtenstein's work during this period, when he sought to unravel the process of drawing in an age of mechanical reproduction and commercial imagery. Perhaps the most compelling and relevant essay, by Margaret Holben Ellis and Lindsey Tyne, discusses Lichtenstein's specific tools and processes for imitating offset lithography, giving crucial insight into the development of his deadpan aesthetic. All the contributors touch on the delicate boundary between fine art and commercial reproduction that was central to Lichtenstein's work and especially apparent in his finished drawings. The book creates a solid and sophisticated framework around this group of drawings, while placing it in the context of Lichtenstein's body of work."—Publishers Weekly