"Slick and zanily stylish, with plenty of visual comedy. In the pit Daniel Barenboim chooses predictably unhurried tempi and is keenly responsive to the music's wit. All six soloists are personable and throw themselves eagerly into Dörrie's revamp…. With her flavoursome tone, Katharina Kammerloher makes a flighty, and funny, sex-kitten of a Dorabella, sinking all too willingly into a marijuana-scented haze of hedonism. But the palm goes to the consummately sung Fiordiligi of Dorothea Röschmann. Her impassioned, intensely vulnerable 'Per pietà' and her final surrender to Ferrando in the duet 'Fra gli amplessi' are the emotional high-points of the whole performance."—Gramophone