"One welcomes the preservation and expert restoration of a Nozze showcasing five major postwar era singers too rarely captured on film…. Böhm helped develop the Viennese postwar Mozart style of which Walter Berry, the exuberant Figaro of this broadcast, was a charter exponent. Böhm's brand of Mozart was more driven and less philosophical and contemplative than that of Josef Krips or Wilhelm Furtwängler. His direction here is sure and swift…. Claire Watson, the disc's very classy Countess … opens Act II with commendable poise and with tone that is handsome…. The tricky 'Porgi amor,' deftly turned, wins a warm ovation…. Reri Grist is an enchanting Susanna. She is the complete mistress of the stage and of her role…. The musical, fresh-voiced Swiss soprano Edith Mathis, who recorded Susanna under Böhm two years later, is pretty enchanting herself , if more gamine than gamin as Cherubino."—Opera News